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The Fordham Ram
All content by Landis Hall
The Fleeting Joy of “Stop Making Sense”
Landis Hall
, Contributing Writer
October 11, 2023
“Oppenheimer”: More Morality Tale Than Character Study
Landis Hall
, Contributing Writer
September 6, 2023
“Barbenheimer” Breathes New Life Into Cinema
Landis Hall
, Contributing Writer
September 6, 2023
“Evil Dead Rise” Strikes the Perfect Balance of Gore and Fun
Landis Hall
, Contributing Writer
April 26, 2023
“Knock at the Cabin” is a Bland Thriller
Landis Hall
, Contributing Writer
February 15, 2023
A More Than Disappointing Adaptation: Noah Baumbach’s “White Noise”
Landis Hall
, Contributing Writer
February 1, 2023
“Babylon” Doesn’t Quite Hit it Out of the Park
Landis Hall
, Contributing Writer
January 25, 2023
In Praise of an Underrated Director, Elaine May
Landis Hall
, Columnist
November 30, 2022
The Conflict Between Content and Cinema
Landis Hall
, Contributing Writer
November 9, 2022
“Suspiria”: Dario Argento’s Exercise in Aesthetic Horror
Landis Hall
, Columnist
October 26, 2022
The Fall Season in Bergman’s Autumn Sonata
Landis Hall
, Columnist
October 5, 2022
Corporate Cinema: Is There No Alternative?
Landis Hall
, Contributing Writer
September 28, 2022
“Nope” Goes Beyond Expectations
Landis Hall
, Contributing Writer
September 14, 2022
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