Music

Country’s Most Current: 2023 CMA Recap

Isabella DeRosa, Contributing Writer
November 15, 2023

The Eeriness of “Can’t Catch Me Now” Tells A Story

Sofia Semper, Staff Writer
November 15, 2023

“Now and Then”: The Beatles’ New, Final Song

Alexander Hom, Contributing Writer
November 15, 2023

“Renegades” and “The Archer”: Accepting My Good and Bad

Hannah Boring, Copy Chief
November 15, 2023

Sheeran’s New Vibe with “Autumn Variations”

Isabella DeRosa, Contributing Writer
November 1, 2023

Taylor Swift Brings “The Eras Tour” To Theaters

Ava Pastore, Contributing Writer
November 1, 2023

Omar Apollo’s New EP: An Exploration of the Past

Claire Krieger, Digital Producer
October 25, 2023

“Something To Give Each Other” is Pop Perfection

Lauren Lombardi, Assistant Culture Editor
October 25, 2023

Gregory Alan Isakov Paints Meditative Melodies in Flatbush

Caroline Durkin, Contributing Writer
October 25, 2023

Is Noah Kahan Trying Too Hard?

Julia Leedom, Contributing Writer
October 25, 2023

“Javelin” and the Duality of Love and Loss

Katherin Lussen, Contributing Writer
October 25, 2023

Chappell Roan’s Debut Album: An Intense Emotional Rollercoaster

Meghan Mahaffey, Contributing Writer
October 11, 2023

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Fordham University's Journal of Record Since 1918

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