Landis Hall – The Fordham Ram

The Fleeting Joy of “Stop Making Sense”

Landis Hall, Contributing Writer
October 11, 2023

“Oppenheimer”: More Morality Tale Than Character Study

Landis Hall, Contributing Writer
September 6, 2023

“Barbenheimer” Breathes New Life Into Cinema

Landis Hall, Contributing Writer
September 6, 2023

“Evil Dead Rise” Strikes the Perfect Balance of Gore and Fun

Landis Hall, Contributing Writer
April 26, 2023

“Knock at the Cabin” is a Bland Thriller

Landis Hall, Contributing Writer
February 15, 2023

A More Than Disappointing Adaptation: Noah Baumbach’s “White Noise”

Landis Hall, Contributing Writer
February 1, 2023

“Babylon” Doesn’t Quite Hit it Out of the Park

Landis Hall, Contributing Writer
January 25, 2023

In Praise of an Underrated Director, Elaine May

Landis Hall, Columnist
November 30, 2022

The Conflict Between Content and Cinema

Landis Hall, Contributing Writer
November 9, 2022

“Suspiria”: Dario Argento’s Exercise in Aesthetic Horror

Landis Hall, Columnist
October 26, 2022

The Fall Season in Bergman’s Autumn Sonata

Landis Hall, Columnist
October 5, 2022

Corporate Cinema: Is There No Alternative?

Landis Hall, Contributing Writer
September 28, 2022

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