“Chicago” continues to razzle-dazzle at the Ambassador Theatre with Whitney Levitt joining the cast as Roxie Hart from Feb. 2 to March 15.
Directed by Walter Bobbie and music by John Kander, this musical production, set in the 1920s, follows the story of two rival murderesses, Roxie Hart (Whitney Levitt) and Velma Kelly (Sophie Carmen-Jones), as they compete for fame and acquittal.
Having seen the movie adaptation of “Chicago,” and loving the soundtrack, I always wanted to see it live on Broadway. When I learned Levitt was joining the cast, whom I am a fan of, I knew it was the perfect time to do so.
From “Secret Lives of Mormon Wives” to season 34 of “Dancing with the Stars,” Levitt has risen to fame in recent years, landing her a role in the longest-running American musical in Broadway history.
“Chicago” has a tradition of celebrity casting notable names, such as Pamela Anderson and Lisa Rinna stepping into Roxie Hart’s heels. With its 29th year on Broadway, “Chicago” knows how to stay relevant and keep the production fresh with its unconventional casting tactic.
Stars like Levitt draw new audiences to the theatre but it’s the immense talent of the cast that makes them stay. The stunning dance numbers are iconic and immerse the audience into the late 1920s setting in Chicago, Illinois. “Chicago” draws choreography inspirations from 1920s jazz steps and burlesque style moves.
Bob Fosse’s uniquely styled jazz is characterized by turned-in knees, rolled shoulders and the iconic finger snapping. The sleek and sensual choreography of the opening number, “All That Jazz,” immediately sets the stage for the show’s dark elegance and captivating energy.
Each performer’s singing is filled with passion that makes the show unforgettable, especially when paired with outstanding dance numbers. The performance of “Cell Block Tango,” with its powerful singing and energetic dance choreography, had the audience erupting with applause, making it one of, if not the most, memorable moments of the show.
The cast is incredible, but it would be wrong to not mention a pivotal part in the show: the orchestra. “Chicago” is unlike any other Broadway show as the orchestra is seated on a central structure on the stage, not hidden away. Keeping the orchestra on the stage reinforces the show’s central theme of 1920s jazz club-like entertainment by engaging the audience into the music.
A unique feature in “Chicago” is the stylistic choice of a fourth wall break, making the audience feel involved in the show. I found the stage production particularly compelling as they played into this fourth wall break by involving the orchestra, an aspect of Broadway musicals that is not usually seen. Similarly, when the ensemble is done with their performance, they sit on chairs off to the side, remaining on stage at all times.
“Chicago” certainly brings “All That Jazz.” From strong performances to unique stage design, “Chicago” is a must-see performance. This show brings a level of entertainment and glamor that I will remember for a long time. Levitt did not disappoint in her Broadway debut with her strong stage presence and showmanship. Whether you come to the show for the rising star from “Secret Lives of Mormon Wives,” or because of your love for theater, you will not be disappointed.
