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Samia’s “Honey” at the Sticky Surface of Intimacy
Katie Lussen
, Contributing Writer
February 15, 2023
Bastille’s New Album Offers Escapism
Erica Weidner
, Editorial Director Emerita
February 16, 2022
A New Dawn for The Weeknd
Maribelle Gordon
, Contributing Writer
January 26, 2022
“Clouds The Mixtape” Brings a Mosaic of Monotony
Noah Osborne
, Staff Writer
April 14, 2021
In “Collections from the Whiteout” Ben Howard Dives Into New Sonic Territory: It Works
Hanif Amanullah
, Assistant Culture Editor
March 31, 2021
Justin Bieber’s Sixth Studio Album “Justice” Is Met With Controversy
Catherine McLaughlin
, Contributing Writer
March 31, 2021
Lana Del Rey’s “Chemtrails Over the Country Club” Is More Unoriginal Than Exceptional
Jonah Rebert
, Staff Writer
March 31, 2021
Dua Lipa Strengthens the Legacy of “Future Nostalgia” with “The Moonlight Edition”
Alexandra Lange
, Staff Writer
February 24, 2021
3600 Days Later: Frank Ocean’s “nostalgia, ULTRA”
Chris Capuano
, Staff Writer
February 17, 2021
Arlo Parks Synthesizes Poetry and Music in her Latest Album “Collapsed in Sunbeams”
Alexandra Lange
, Staff Writer
February 17, 2021
Weezer’s “OK Human” is a Brilliantly Lit Scented Candle of Honesty
Noah Osborne
, Staff Writer
February 17, 2021
DaBaby’s New Album Was Born Too Early
Alexandra Lange
, Staff Writer
April 22, 2020
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